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February 20, 2015
10.38 X 12.37 X 0.82 inches | 3.54 pounds
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About the Author
Connie H. Choi (Author) is Assistant Curator, American Art, Brooklyn Museum, where she has contributed to the catalogues Witness: Art and Civil Rights in the Sixties (2014) and John Singer Sargent Watercolors (2013). Her interests include African American artists, the history of photography, modern art, and the intersections between race, history, and culture. She is a Ph.D. candidate in the Department of Art History and Archaeology at Columbia University, New York. She received an Ed.M. from Harvard University in 2007 and has contributed research and text to several museum and university publications, including the catalogue for Now Dig This!: Art and Black Los Angeles, 1960‒1980 (Hammer Museum, Los Angeles, 2011).
Eugenie Tsai (Editor) is the John and Barbara Vogelstein Curator of Contemporary Art, and Managing Curator, Contemporary Art, at the Brooklyn Museum. She joined the Museum in 2007 and since then has organized such exhibitions as Lee Mingwei: -The Moving Garden- (2011); Sanford Biggers: Sweet Funk--An Introspective (2011); the Raw/Cooked series, devoted to emerging Brooklyn artists (2011‒13), and Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014). Previously she was Director of Curatorial Affairs at P.S.1 Contemporary Art Center in Queens, New York. She has also been Associate Director for Curatorial Affairs at the Whitney Museum of American Art. Independently, she organized Robert Smithson, which received the International Association of Art Critics' first place award for the best monographic exhibition of 2005. Dr. Tsai received a B.A. from Carleton College, Northfield, Minnesota, and a Ph.D. from Columbia University.