How to Pronounce Knife: Stories


Product Details

$26.00  $24.18
Little Brown and Company
Publish Date
5.5 X 8.4 X 0.9 inches | 0.7 pounds

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About the Author

Souvankham Thammavongsa was born in the Lao refugee camp in Nong Khai, Thailand and was raised and educated in Toronto. She is the award-winning author of four books of poetry and her fiction has appeared in Harper's, Granta, the Paris Review, Ploughshares, Best American Non-Required Reading 2018, and the O. Henry Prize Stories 2019.


"Tinged with melancholy, anger, and a healthy dose of dark humor, all of these stories exhibit a fierce pride in what one can accomplish. After leaving everything behind and dealing with a country that does not cater to you, one can still celebrate the resilience of the human spirit by merely surviving."--SALON
"I love these stories. There's some fierce and steady activity in all of the sentences-something that makes them live, and makes them shift a little in meaning when you look at them again and they look back at you (or look beyond you)."
"Brings to life figures that might otherwise not figure on the literary radar, from a failed boxer turned manicurist to a young woman working at a chicken processing plant and a mother-daughter worm-harvesting team, with enough panache to keep the reader gripped throughout."--VOGUE
"The stories here will gut you, as Thammavongsa's insight proves to be razor-sharp."--BUSTLE
"How to Pronounce Knife is a masterful collection, written with so much veracity, you'll swear every word is true. Thammavongsa's prose is spare, the images she evokes so crystalline, they require no embellishment. Here is life, rendered with precision and insight. Instantly recognizable. She offers sharp sensory details, piercing imagery, endings that will punch you in the gut and leave you yearning for more."
--SHARON BALA, author THE BOAT PEOPLE, winner of the Harper Lee Prize
"An impressive debut...Thammavongsa's spare, rigorous stories are preoccupied with themes of alienation and dislocation, her characters burdened by the sense of existing unseen... Her gift for the gently absurd means the stories never feel dour or predictable, even when their outcomes are by some measure bleak...It is when the characters' sense of alienation follows them home, into the private space of the family, that Thammavongsa's stories most wrench the heart."--NEW YORK TIMES BOOK REVIEW
"Deceptively devastating...strange but biting stories."--TIME MAGAZINE
"These poignant and deceptively quiet stories are powerhouses of feeling and depth; How to Pronounce Knife is an artful blend of simplicity and sophistication."--MARY GAITSKILL, author of VERONICA and SOMEBODY WITH A LITTLE HAMMER
"Souvankham Thammavongsa writes with deep precision, wide-open spaces, and quiet, cool, emotionally devastating poise. There is not a moment off in these affecting stories."--SHEILA HETI, author of HOW SHOULD A PERSON BE and MOTHERHOOD
"Exacting, sharply funny short fictions."--O., THE OPRAH MAGAZINE
"Every once in a while you come across a book with writing so breathtaking that you take note of the author so you can read everything they ever write in the future. How to Pronounce Knife is one of those books."--ELLE
"A book of rarest beauty and power. Souvankham Thammavongsa has already earned a devoted readership for her poetry. And in each of these exquisitely crafted stories, we experience the profound emotional effects of economy and distillation. We feel the reverberating energy around each judiciously placed word. This is one of the great short story collections of our time. Do not miss it."--DAVID CHARIANDY, author of BROTHER and I'VE BEEN MEANING TO TELL YOU
"A riveting, subversive collection that alights within us like a shock to the system. I find it miraculous - and liberating and joyful - that language so radiantly exact can be so raw, so brazen. This is a major work and a lasting one."--MADELEINE THIEN, author of DO NOT SAY WE HAVE NOTHING
"A book of unusual ferocity and grace. Souvankham Thammavongsa carefully unpacks the aches and aspirations of immigrant and refugee life in tight, commanding prose; and these subtle yet shattering stories glow with empathy, humor, and wisdom."--MIA ALVAR, author of IN THE COUNTRY
"Reading Souvankham Thammavongsa's How to Pronounce Knife is like finding, at last, a part of you that you had lost and had been searching for all this time. Not since the stories of Edward P. Jones have I encountered such a unified and yet wide-ranging vision-both geographically and emotionally-that captures the spirit of not only a community but of the greater world-then, now, the future. This is a book full of powerful resilience, great journeys, and above all else: fierce, heart-wrenching love."--PAUL YOON, author of RUN ME TO EARTH
"A beautiful collection of stories about immigrants in America."--PEOPLE MAGAZINE
"These stories, written in a spare, distant register, twist the heart; Thammavongsa captures in a few well-chosen words how it feels for immigrant children to protect their parents. Moving, strange, and occasionally piercing."--KIRKUS
"In under 200 pages, Canadian poet Thammavongsa showcases 14 spectacular stories in her fiction debut...a poignant, eyes-wide-open exploration...pristine short fiction: think Paul Yoon, Jhumpa Lahiri, and Phil Klay."--LIBRARY JOURNAL (Starred Review)
"These stories have a quiet brilliance in their raw portrayal of the struggle to find meaning in difficult times and to belong in a foreign place. Thammavongsa writes with an elegance that is both brutal and tender, giving her stories and their characters a powerful voice."--BOOKLIST (Starred Review)
"Thammavongsa's radiant debut collection of short stories is full of precarity, strength, uncertainty, messiness and life."--MS. MAGAZINE
"With spare, precise prose, Thammavongsa evokes a world of strong emotion made livable by painful, unstable social constraints. The syntactical simplicity of the writing throws the internal complexity of these characters and their situations into stark relief, displaying how restraint can pack an unexpectedly sentimental punch. Quietly poetic, How to Pronounce Knife also produces a shivering recognition in its readers."--SHELF AWARENESS
"These stories feel simple, but they move within you and it is impossible to let them go. They are sharp and vital. Thammavongsa is a master over the sentence."--DAISY JOHNSON, author of EVERYTHING UNDER
**Named one of the most anticipated books of 2020 by Electric Literature, The Millions, and Ms. Magazine**
**Named one of the most anticipated books of the month by the New York Times, O. The Oprah Magazine, Vogue, Bustle, and Salon**
"In Thammavongsa's work, refugees don't have to be just tragic or sad but can be imbued with humor, complexity, and the unexpected. Most importantly, Thammavongsa doesn't write for a white audience. She writes, tenderly and profoundly, for her characters. Her love is apparent in her delicate descriptions: confident children protect their parents, workers perform jobs with care and pride, and messy love stories show us that leaving is proof we are alive. The power of How to Pronounce Knife lies in seeing the unseen. I know that firsthand--as the daughter of refugees, I'm able to finally see myself in stories."--ANGELA SO, ELECTRIC LITERATURE
"In How to Pronounce Knife, Thammavongsa plumbs the depths and superficialities of what it means to be human. She's at ease in the dark. With authority, her fiction asks: How do we survive? What does it mean to endure?"--BOMB MAGAZINE
"Thammavongsa has shown herself to be a master of controlled intimacy, eschewing preciousness in favor of a clear-eyed humanity...What all the stories have in common is the stubbornness of desire manifested by the characters, whether it is the desire to defend your parents against mockery, the desire to fit in, the desire for physical intimacy, or the desire to be seen...This sharp interplay between defiance and desire throughout the collection is a welcome strike to narratives that are often demanded of refugee writers--narratives laden with nobility, the commodification of trauma, and respectability politics...Instead of being foreigners in a new land, these characters make foreigners out of those who would pity them...Thammavongsa has made English speak to us in her own language."--PLOUGHSHARES
"Thammavongsa's careful dissection of everyday moments of racism, classism and sexism exposes how power and privilege drive success, how work shapes the immigrant identity, and how erasure and invisibility lead to isolation."--THE WASHINGTON POST