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DescriptionA NEW YORK TIMES BESTSELLER Wonder Woman goes to hell After playing Poseidon, Hades, and Hera against each other, Hades strikes back by kidnapping Zola and trapping her in the Underworld. It's up to Wonder Woman--with a little help from the God of Love and the God of Smiths--to break Zola out. But what is Hades' real game, and once you get into the land of the dead, how exactly do you get out? Collecting WONDER WOMAN #7-12.
September 17, 2013
6.69 X 0.21 X 10.12 inches | 0.58 pounds
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About the Author
Brian Azzarello has been writing comics professionally since the mid-1990s. He is the author of JONNY DOUBLE, BATMAN: BROKEN CITY and the Harvey and Eisner Award-winning 100 BULLETS, all created in collaboration with artist Eduardo Risso. The New York Times best-selling author's other work for DC includes the titles HELLBLAZER and LOVELESS (both with Marcelo Frusin), SUPERMAN: FOR TOMORROW (with Jim Lee), JOKER and LUTHOR (both with Lee Bermejo), SGT. ROCK: BETWEEN HELL AND A HARD PLACE (with Joe Kubert), FILTHY RICH (with Victor Santos), and most recently the all-new ongoing series WONDER WOMAN (with Cliff Chiang). He also wrote the Richard Corben-illustrated graphic novels Cage and Banner for Marvel Comics. Azzarello lives in Chicago with his wife, artist Jill Thompson, and twitters only when he has something to say.
"Expect a lot more Wonder Woman fans after a few issues of this book."--USA Today "This is clear storytelling at its best....It's an intriguing concept and easy to grasp. The reader doesn't need to know that much about Wonder Woman because she is, well, Wonder Woman."--The New York Times "It's a different direction for Wonder Woman, but one still steeped in mythology, and I think this is the start of great things from Azzarello and Chiang."--The Onion AV Club "There's actually a lovely balance between being just wordy enough and going mute to let the art do the heavy lifting. And let me tell you, Cliff Chiang's art does said heavy lifting with nary a grunt. He handles suspense, gore, and action all with aplomb. His line-work is loose enough to avoid being static, and yet maintains a confident line."--Ain't It Cool News