Great Expectations

(Author) (Illustrator)
Available

Product Details

Price
$25.00
Publisher
Penguin Books
Publish Date
Pages
592
Dimensions
5.4 X 7.7 X 1.7 inches | 1.4 pounds
Language
English
Type
Hardcover
EAN/UPC
9780143123798
BISAC Categories:

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About the Author

CHARLES DICKENS was born at Portsmouth on 7 February 1812, the second of eight children. Dickens's childhood experiences were similar to those depicted in David Copperfield. His father, who was a government clerk, was imprisoned for debt and Dickens was briefly sent to work in a blacking warehouse at the age of twelve. He received little formal education, but taught himself shorthand and became a reporter of parliamentary debates for the Morning Chronicle. He began to publish sketches in various periodicals, which were subsequently republishes as Sketches by Boz. The Pickwick Papers was published in 1836-7 and after a slow start became a publishing phenomenon and Dickens's characters the centre of a popular cult. Part of the secret of his success was the method of cheap serial publication which Dickens used for all of his novels. He began Oliver Twist in 1837, followed by Nicholas Nickleby (1838-9) and The Old Curiosity Shop (1840-41). After finishing Barnaby Rudge (1841) Dickens sets off for America; he went full of enthusiasm for the young republic but, in spite of a triumphant reception, he returned disillusioned. His experiences are recorded in American Notes (1842). Martin Chuzzlewit (1843-4) did not repeat its predecessors' success but this was quickly redressed by the huge popularity of the Christmas Books, of which the first, A Christmas Carol, appeared in 1842. During 1844-6 Dickens travelled abroad and he began Dombey and Son (1846-8) while in Switzerland. This and David Copperfield (1849-50) were more serious in theme and more carefully planned than his early novels. In later works, such as Bleak House (1852-3) and Little Dorrit (1855-7), Dickens's social criticism became more radical and his comedy more savage. In 1850 Dickens started the weekly periodical Household Words, succeeded in 1859 by All the Year Round; in there he published Hard Times (1854), A Tale of Two Cities (1859) and Great Expectations (1860-61). Dickens's health was failing during the 1860s and the physical strain of public readers which he began in 1858 hastened his decline, although Our Mutual Friend (1864-5) retained some of his best comedy. His last novel, The Mystery of Edwin Drood, was never completed and he died on 9 June 1870. Public grief at his death was considerable and he was buried in the Poet's Corner of Westminster Abbey.

JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine 30 under 30 in art and design as well as an ADC Young Gun and one of Print Magazine's New Visual Artists. She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.

Reviews

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
--Fast Company

"Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections."
--Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte's B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
--Rex Bonomelli, The New York Times

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--Redbook
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