Gone Girl

Gillian Flynn (Author)
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Description

Marriage can be a real killer.
One of the most critically acclaimed suspense writers of our time, "New York Times" bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The "Chicago Tribune "proclaimed that her work "draws you in and keeps you reading with the force of a pure but nasty addiction." "Gone Girl"'s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick's clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn't doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife's head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media--as well as Amy's fiercely doting parents--the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter--but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn't do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

Product Details

Price
$33.99
Publisher
Thorndike Press
Publish Date
September 26, 2012
Pages
711
Dimensions
5.8 X 1.5 X 8.6 inches | 1.7 pounds
Language
English
Type
Hardcover
EAN/UPC
9781410450951

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About the Author

GILLIAN FLYNN is the author of the "New York Times" bestseller "Dark Places," which was a "New Yorker" Reviewers' Favorite, "Weekend" TODAY Top Summer Read, "Publishers Weekly" Best Book of 2009, and "Chicago Tribune" Favorite Fiction choice; and the Dagger Award winner "Sharp Objects," which was an Edgar nominee for Best First novel, a BookSense pick, and a Barnes & Noble Discover selection. Her work has been published in twenty-eight countries. She lives in Chicago with her husband and son.

Reviews

""Gone Girl" is one of the best -and most frightening -portraits of psychopathy I've ever read. Nick and Amy manipulate each other -with savage, merciless and often darkly witty dexterity. This is a wonderful and terrifying book about how the happy surface normality and the underlying darkness can become too closely interwoven to separate." -Tana French, "New York Times" bestselling author of "Faithful Place "and "Into the Woods"
"The plot has it all. I have no doubt that in a year's time I'm going to be saying that this is my favorite novel of 2012. Brilliant." -Kate Atkinson, "New York Times" bestselling author of "Started Early, Took My Dog" and "Case Histories"
""Gone Girl" builds on the extraordinary achievements of Gillian Flynn's first two books and delivers the reader into the claustrophobic world of a failing marriage. We all know the story, right? Beautiful wife disappears; husband doesn't seem as distraught as he should be under the circumstances. But Flynn takes this sturdy trope of the 24-hour news cycle and turns it inside out, providing a devastating portrait of a marriage and a timely, cautionary tale about an age in which everyone's dreams seem to be imploding." -Laura Lippman, "New York Times" bestselling author of "The Most Dangerous Thing" and "I'd Know You Anywhere"
"Gillian Flynn's "Gone Girl" is like "Scenes from a Marriage" remade by Alfred Hitchcock, an elaborate trap that's always surprising and full of characters who are entirely recognizable. It's a love story wrapped in a mystery that asks the eternal question of all good relationships gone bad: How did we get from there to here?" -Adam Ross, "New York Times" bestselling author of "Mr. Peanut"
"Just this minute I finished a week of feeling betrayed, misled, manipulated, provoked, and misjudged, not to mention having all my expectations confounded. Considering how compulsively I kept coming back for more, I am seriously thinking of going back to page oner
"Flynn cements her place among that elite group of mystery/thriller writers who unfailingly deliver the goods...Once again Flynn has written an intelligent, gripping tour de force, mixing a riveting plot and psychological intrigue with a compelling prose style that unobtrusively yet forcefully carries the reader from page to page." -"Library Journal "(starred review)
"Flynn masterfully lets this tale of a marriage gone toxically wrong gradually emerge through alternating accounts by Nick and Amy, both unreliable narrators in their own ways. The reader comes to discover their layers of deceit through a process similar to that at work in the imploding relationship. Compulsively readable, creepily unforgettable, this is a must read for any fan of bad girls and good writing." -"Publishers Weekly" (starred review)
""Gone Girl" is one of the best -and most frightening -portraits of psychopathy I've ever read. Nick and Amy manipulate each other -with savage, merciless and often darkly witty dexterity. This is a wonderful and terrifying book about how the happy surface normality and the underlying darkness can become too closely interwoven to separate." -Tana French, "New York Times" bestselling author of "Faithful Place "and "Into the Woods"
"The plot has it all. I have no doubt that in a year's time I'm going to be saying that this is my favorite novel of 2012. Brilliant." -Kate Atkinson, "New York Times" bestselling author of "Started Early, Took My Dog" and "Case Histories"
""Gone Girl" builds on the extraordinary achievements of Gillian Flynn's first two books and delivers the reader into the claustrophobic world of a failing marriage. We all know the story, right? Beautiful wife disappears; husband doesn't seem as distraught as he should be under the circumstances. But Flynn takes this sturdy trope of the 24-hour news cycle and turns it inside out, providing a devastating portrait of a marriage and a timely, cautionary tale about an age i
"A perfect wife's disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death... One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling." --"Kirkus "(starred review)
"[W]hat looks like a straightforward case of a husband killing his wife to free himself from a bad marriage morphs into something entirely different in Flynn's hands. As evidenced by her previous work ("Sharp Objects," 2006, and "Dark Places," 2009), she possesses a disturbing worldview, one considerably amped up by her twisted sense of humor. Both a compelling thriller and a searing portrait of marriage, this could well be Flynn's breakout novel. It contains so many twists and turns that the outcome is impossible to predict." --"Booklist "(starred review)
"Flynn cements her place among that elite group of mystery/thriller writers who unfailingly deliver the goods...Once again Flynn has written an intelligent, gripping tour de force, mixing a riveting plot and psychological intrigue with a compelling prose style that unobtrusively yet forcefully carries the reader from page to page." --"Library Journal "(starred review)
"Flynn masterfully lets this tale of a marriage gone toxically wrong gradually emerge through alternating accounts by Nick and Amy, both unreliable narrators in their own ways. The reader comes to discover their layers of deceit through a process similar to that at work in the imploding relationship. Compulsively readable, creepily unforgettable, this is a must read for any fan of bad girls and good writing." --"Publishers Weekly" (starred review)
""Gone Girl" is one of the best -and most frightening -portraits of psychopathy I've ever read. Nick and Amy manipulate each other -with savage, merciless and often darkly witty dexterity. This is a wonderful and terrifying book about how the happy surface
"Readers who prefer more virulent strains of unreality will appreciate the sneaky mind games of Gillian Flynn's "Gone Girl," a thriller rooted in the portrait of a tricky and troubled marriage." --"New York Times"
"In this fast-paced thriller, Flynn tracks the disintegration of a marriage and asks: How does a couple go from uttering passionate vows to living separate lives?" --"All You"
"A perfect wife's disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death... One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling." --"Kirkus "(starred review)
"[W]hat looks like a straightforward case of a husband killing his wife to free himself from a bad marriage morphs into something entirely different in Flynn's hands. As evidenced by her previous work ("Sharp Objects," 2006, and "Dark Places," 2009), she possesses a disturbing worldview, one considerably amped up by her twisted sense of humor. Both a compelling thriller and a searing portrait of marriage, this could well be Flynn's breakout novel. It contains so many twists and turns that the outcome is impossible to predict." --"Booklist "(starred review)
"Flynn cements her place among that elite group of mystery/thriller writers who unfailingly deliver the goods...Once again Flynn has written an intelligent, gripping tour de force, mixing a riveting plot and psychological intrigue with a compelling prose style that unobtrusively yet forcefully carries the reader from page to page." --"Library Journal "(starred review)
"Flynn masterfully lets this tale of a marriage gone toxically wrong gradually emerge through alternating accounts by Nick and Amy, both unreliable narrators in their own ways. The reader comes to discover their layers of deceit through a process similar to that at work in the imploding relationship. Compulsiv
"Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times
""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly
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"An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars)
"[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"