NAMED A FALL 2020 MUST-READ AND ONE OF THE BEST BOOKS OF FALL 2020 BY TIME, VULTURE, THE BOSTON GLOBE, COSMOPOLITAN, WIRED, TOR AND MORE
Electrifying and provocative, visceral and profound, a powerful literary debut novel about a young woman whose compulsion to eat earth gives her visions of murdered and missing people--an imaginative synthesis of mystery and magical realism that explores the dark tragedies of ordinary lives.
Set in an unnamed slum in contemporary Argentina, Eartheater is the story of a young woman who finds herself drawn to eating the earth--a compulsion that gives her visions of broken and lost lives. With her first taste of dirt, she learns the horrifying truth of her mother's death. Disturbed by what she witnesses, the woman keeps her visions to herself. But when Eartheater begins an unlikely relationship with a withdrawn police officer, word of her ability begins to spread, and soon desperate members of her community beg for her help, anxious to uncover the truth about their own loved ones.
Surreal and haunting, spare yet complex, Eartheater is a dark, emotionally resonant tale told from a feminist perspective that brilliantly explores the stories of those left behind--the women enduring the pain of uncertainty, whose lives have been shaped by violence and loss.
Translated from the Spanish by Julia Sanches
About the Author
Dolores Reyes was born in Buenos Aires in 1978. She is a teacher, feminist, activist, and the mother of seven children. She studied classical literature at the University of Buenos Aires. Eartheater is her first novel.
Julia Sanches is a translator of Portuguese, Spanish, French, and Catalan. She has translated works by Susana Moreira Marques, Noemi Jaffe, Daniel Galera, and Geovani Martins, among others. Her shorter translations have appeared in various magazines and periodicals, including Words without Borders, Granta, Tin House, and Guernica.
"Dolores Reyes's writing is visceral and urgent. It's also connected to a powerful tradition of fantasy and crime, and it reflects on violence against women with enormous lucidity."--Mariana Enriquez, author of Things We Lost in the Fire
"In a voice that is terse, blunt, and biting, the narrator reckons with the impact of her visions on her health and relationships, as she witnesses more and more the ways fear and violence shape the experiences of the women in her community. Compelling and visceral, Reyes' debut combines mystery and coming-of-age to evoke the stories of the victims of femicide." --Kirkus Reviews
"A powerful story whose narrator wields brutally honest observations on the intersections of class, poverty, and gender. Reyes' debut is a strong addition to the growing body of Latin American crime fiction in the U.S. market. A stirring genre blend of fantasy and crime fiction that combines graceful prose and magic realism." --Booklist (starred review)
"One of the most outstanding Latin American short novels of the year."--New York Times
"Dolores Reyes's harsh and sensitive lyricism explodes in your hands."--Gabriela Cabezón Cámara, author of The Adventures of China Iron
With its own shining light and singular voice, Eartheater follows in the footsteps of such essential authors as Juan Rulfo and Sara Gallardo."--Selva Almada, author of The Wind That Lays Waste
"Reyes succeeds in making the feisty Eartheater and her visions both persuasive and affecting."--Library Journal (starred review)