Driftless: Photographs from Iowa
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About the Author
Danny Wilcox Frazier is a freelance photographer. Raised in Le Claire, a small Iowa town that sits along the Mississippi River, he now lives in Iowa City. Frazier has a master's degree from the University of Iowa, and he has received awards from the University of Missouri's Pictures of the Year International, including its 2004 Community Awareness Award for selections of his work from Iowa. He has also received a Stanley Fellowship, as well as awards from the National Press Photographers Association and the Society of Professional Journalists. His images have appeared in such publications as the New York Times, Time, Newsweek, Mother Jones, U.S. News & World Report, Life, and Forbes.
Robert Frank is one of America's preeminent photographers. His complex and visionary photographs of postwar America, as well as his later films and videos, have greatly influenced the work of generations of artists. Frank's book The Americans (1958) brought him international attention and marked a turning point in photography. The National Gallery of Art in Washington founded the Robert Frank Collection in 1990. He has received numerous awards, including an International Photography Award from the Hasselblad Foundation in Sweden and a Cornell Capa Award from the International Center of Photography in New York.
"Driftless, shot in black-and-white film in a digital age, creates a lonely aura. Young people in trailers framed by beer-can pyramids. Harsh winter blizzards. Cold gun barrels. Old people in barren spaces. . . . Many of the photos are grainy because Frazier didn't use artificial lighting and had to 'push' the film speed. It lends a gritty reality to the shots."--Mike Kilen "Des Moines Register "
"[Frazier's] pictures of people recall the street-kid photos of Helen Levitt, the active group images in Ben Shahn's FSA work, and the famous book The Americans (1959), by Robert Frank, who judged the competition this book won. Elegiacism and a certain bitterness inform the album as a whole. No one looks prosperous; even the young partiers don't seem cheery. Maybe they'll all be living in cities in a year. Powerful stuff."--Ray Olson "Booklist "
"The book is incredible for its raw intimacy and visual sophistication. . . ."--Bryan Derballa "Wired "
"Frazier presents a compelling look at life in contemporary Iowa. When chronicling just the land, Frazier portrays it in a harsh and biting manner through the use of high-contrast and grainy imagery. When documenting Iowa's people, Frazier plays the role of a fly on the wall. He is able to blend in with all sorts of characters in all types of situations, a hallmark of a well-rounded photojournalist. . . . Frazier's melancholy Driftless achieves success in the Iowan's choice to shoot in a style more concerned with content and free-flowing compositions than with the rigors of technical matters such as precise exposure and exacting horizon lines."--Chris Sweda "Chicago Sun-Times "
"Frazier's images endeavor to shed light on the people and places that mainstream media neglects to illustrate. As rural economies fail, people and resources are migrating to the coasts and cities, altering rural America. Taken by an insider who has lived in Iowa his entire life, Frazier's photographs show us these abandoned places and describe the lives of those people who stay behind. His approach is completely different than this spring's news stories about Iowa' spring flooding, which presumed that the impacts, although awful, were limited to the present; nowhere on national media were reports of the long lasting effects of the flooding on Iowa's already unstable rural economy."--Callie Clark-Wiren "Rain Taxi "