Design Rehearsals: Conversations about Bauhaus Lessons

Anna Bokov (Text by (Art/Photo Books)) Jan Boelen (Text by (Art/Photo Books))
& 17 more
Available

Product Details

Price
$40.00  $36.80
Publisher
Spector Books
Publish Date
September 17, 2019
Pages
204
Dimensions
8.5 X 0.8 X 10.6 inches | 1.6 pounds
Language
English
Type
Paperback
EAN/UPC
9783959052702

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About the Author

Anna Bokov is an architect and historian. She is faculty at the Irwin S. Chanin School of Architecture of the Cooper Union, New York.
Jan Boelen is chief curator of BIO 50 and artistic director at Z33 House for contemporary Art in Hasselt, Belgium.
Ludovic Balland lives and works in Basel as a graphic designer specializing in entire editorial projects. He is also professor of typography at HGB Hochschule für Grafik und Buchkunst in Leipzig and lectures at various art schools and universities in Europe and the United States.
Tim Ingold is Professor Emeritus of Social Anthropology at the University of Aberdeen, UK. Recent books include Anthropology and/as Education (2018), Anthropology: Why it Matters (2018) and Correspondences (2020).
Tom Holert is a writer and curator. In 2015 he cofounded the Harun Farocki Institut in Berlin, a platform for research and production based on and departing from Farocki's example. With Anselm Franke he curated the 2018 exhibition Neolithic Childhood: Art in a False Present, c. 1930, at Haus der Kulturen der Welt, Berlin.
Senior Lecturer in Laws, Faculty of Laws, University College London.
Josef Albers (1888-1976) is considered one of the most influential abstract painters of the twentieth century as well as an important designer and educator. Albers was born in Bottrop, Germany, and became a student at the Weimar Bauhaus in 1920, later joining the school's faculty in 1922. In 1933, he and Anni Albers emigrated to North Carolina, where they founded the art department at Black Mountain College. In 1950, the Alberses moved to New Haven, Connecticut, where Josef was invited to direct the newly formed department of design at Yale University School of Art. Albers retired from teaching in 1958, just prior to the publication of his important Interaction of Color (1963).
A pioneering modernist of unrivaled creative output, Paul Klee (1879-1940) counts among the truly defining artists of the twentieth century, exploring and expanding the terrain of avant-garde art through work that ranges from stunning colorist grids to evocative graphic productions. Klee taught for a decade, from 1921 to 1931, at the Bauhaus, the famed German art and design school, and the novelty of his work and ideas established him as one of the institution's foremost instructors. He has often been associated with some of the most important art movements of the twentieth century, such as expressionism, cubism, and surrealism, yet his practice remained highly individualistic and distinct; it was never encapsulated by the concerns of a movement or reducible to the modernist binary of abstraction and figuration.
Wassily Wassilyevich Kandinsky (16 December [O.S. 4 December] 1866 - 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art.[1] Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession-he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)-Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton Azbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky became an insider in the cultural administration of Anatoly Lunacharsky[2] and helped establish the Museum of the Culture of Painting.[3] However, by then his spiritual outlook... was foreign to the argumentative materialism of Soviet society, [4] and opportunities beckoned in Germany, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944. Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, a tea merchant.[5][6] One of his great grandmothers was a Princess Gantimurova, probably explaining the slight Mongolian trait in his features.[7] Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew. In 1889, he was part of an ethnographic research group which travelled to the Vologda region north of Moscow. In Looks on the Past, he relates that the houses and churches were decorated with such shimmering colours that upon entering them, he felt that he was moving into a painting. This experience, and his study of the region's folk art (particularly the use of bright colours on a dark background), was reflected in much of his early work. A few years later he first likened painting to composing music in the manner for which he would become noted, writing, Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in the soul.[8] Kandinsky was also the uncle of Russian-French philosopher Alexandre Kojève (1902-1968).