Bauhaus: 1919-1933: Workshops for Modernity
Distributed Art Publishers (DAP)
September 26, 2017
9.9 X 1.4 X 12.3 inches | 5.25 pounds
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About the Author
Barry Bergdoll is Professor of Art History and Archeology at Columbia University and Curator in the Department of Architecture and Design in the Museum of Modern Art, New York.
Brigid Doherty is Associate Professor of German and of Art and Archaeology, Princeton University.
Hal Foster is Townsend Martin Class of 1917 Professor of Art and Archaeology at Princeton University, where he teaches courses in modernist and contemporary art and theory and directs the graduate proseminar in methodology. He is a faculty member of the School of Architecture and an associate faculty member of the Department of German; he also works with Media and Modernity and European Cultural Studies programs. He is the author of numerous books, including The Anti-Aesthetic: Essays on Postmodern Culture and Recodings: Art, Spectacle, Cultural Politics, both published by The New Press. He is also the editor of two New Press books, Discussions in Contemporary Culture #1 and Vision and Visuality: Discussions in Contemporary Culture #2. A member of the American Academy of Arts and Sciences, Foster writes regularly for October, which he co-edits; Artforum; the London Review of Books; and New Left Review.
Charles W. Haxthausen is Robert Sterling Clark Professor of Art History in the Graduate Program in the History of Art at Williams College. He is the author of Paul Klee: The Formative Years and Modern German Masterpieces from the St. Louis Art Museum.
Andreas Huyssen (PhD, German and Romance Languages and Literatures, Zurich) is the Villard Professor of German and Comparative Literature at Columbia University. The founding director of the Center for Comparative Literature and Society and a founding editor of The journal New German Critique, he is the author of a number of books, including Miniature Metropolis: Literature in an Age of Photography and Film (Harvard, 2015) and Twilight Memories: Marking Time in a Culture of Amnesia (Routledge, 2012).
Michael Jennings is a North Carolina native and a former newspaper reporter and editor. His service in the Air Force included tours of duty in Vietnam (1969-70) and Germany (1971-73). He holds an undergraduate degree from the University of North Carolina and a master's degree from the University of Virginia. In 1993, he won a first prize in non-deadline writing from the American Society of Newspaper Editors. He is the author of the novel Ave Antonina, published by Wings ePress in February 2020.
Ellen Lupton is curator of contemporary design at Cooper-Hewitt, National Design Museum in New York.
Christine Mehring is Professor and Chair in the Department of Art History at the University of Chicago and Adjunct Curator at the Smart Museum.
Alex Potts is the Max Loehr Collegiate Professor in the Department of History of Art at the University of Michigan, Ann Arbor.
a thoroughly impressive catalogue of works.... The development of the Bauhaus was eclectic in both concept and deed, and the sheer variety of works in 'Workshops for Modernity' deftly illustrates that fact.--Eric J Herboth -Design Observer -