Description

Poetry. In her third collection of poetry, Camille Guthrie engages with Louise Bourgeois's deeply personal sculptures, paintings, and drawings in her own taut, emotive abstractions, carving new meaning out of a body of work central totwentieth-century art. The poet converses with the artist's preoccupations with love, alienation, sex, death, and identity. These poems offer a formally precise, playfully intense perspective an essential vocabulary for monumental works. As Susan Wheeler observes, "Like Louise Bourgeois, Camille Guthrie makes great art from great discomfort. [...] The rigor of Bourgeois's inner life and studio practice supports these beautiful improvisations like an armature over which a billowing fabric drapes."