Art of Jazz: Form/Performance/Notes


Product Details

Ethelbert Cooper Gallery of African and Afric
Publish Date
9.0 X 10.0 X 0.5 inches | 0.02 pounds

Earn by promoting books

Earn money by sharing your favorite books through our Affiliate program.

Become an affiliate

About the Author

Suzanne Preston Blier is Allen Whitehill Clowes Professor of Fine Arts and Professor of African and African American Studies at Harvard University, Massachusetts. Her first book, The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression (Cambridge, 1987) won the Arnold Rubin prize. Her second book, African Vodun: Art, Psychology, and Power (1995), won the Charles Rufus Morey Prize. Other books include African Royal Art: The Majesty of Form (1998), Butabu: Adobe Architecture in West Africa (2003) and Art of the Senses: Masterpieces from the William and Bertha Teel Collection (2004). She was a member of the Collรจge de France International Scientific and Strategic Committee (2011-13) and is on the board of the College Art Association. Her past fellowships include CASVA (Paul Mellon Senior Fellow, the National Gallery of Art), John Simon Guggenheim, the Radcliffe Institute, National Endowment for the Humanities (NEH), the Institute for Advanced Study (Princeton), Fulbright Senior Research, Social Science Research Council, American Council of Learned Societies (ACLS) and the Getty Center for the Study of Art.
Vera Ingrid Grant is the Founding Director of the Ethelbert Cooper Gallery of African and African American Art at the Hutchins Center for African and African American Research, Harvard University.
David Bindman is an emeritus professor of the history of art at University College London. He is currently a fellow of the Hutchins Center for African and African American Research, Harvard University, and he was a visiting professor of history of art at Harvard, 2011-2017. His publications include Blake as an Artist, Hogarth and His Times: Serious Comedy, Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century. Since 2006, he has been the editor with Henry Louis Gates, Jr., of the Image of the Black in Western Art series, in twelve volumes so far.