An Introduction to Film Analysis: Technique and Meaning in Narrative Film
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About the Author
Michael Ryan is Emeritus Professor in the Center for the Arts at Temple University, USA. His books include Marxism and Deconstruction (1982), Politics and Culture (1989), Camera Politica (1988), An Introduction to Criticism (2012), and Literary Theory: A Practical Introduction (2017). His book, Politics and Evolution: Conservatism and Liberalism in Human History, is forthcoming. He is at work on a book entitled The Politics of Form.Melissa Lenos is Chair of Liberal Arts and Sciences at Donnelly College in Kansas City, USA. Her primary areas of research are narratology and media pedagogy and her work has appeared in Cinema Journal: In Focus, Antenna, and In Media Res. She is co-author (with Kevin L. Ferguson) of the forthcoming Generation X: The Popular Culture that Defined the MTV Generation.
"An exceptionally clear and thorough account of the explicit and implicit ways that narrative cinema makes meaning for viewers. Filled with lucid writing and a profitably wide variety of examples, An Introduction to Film Analysis empowers students to analyze film technique from a range of diverse perspectives." --Kevin L. Ferguson, Associate Professor, Queens College, CUNY, USA"This step-by-step guide to film analysis by Ryan and Lenos is full of beautiful and instructive photography to make the art of moving images come alive on the page. It will entice students into a passion for film through its sophisticated and thorough discussions of a wide range of films, including historical classics, contemporary movies, independent films, and global cinema. This is a textbook that teaches by doing, modeling different approaches to film analysis through thorough and insightful case studies of a unique set of films, including The Silence of the Lambs, Mildred Pierce, Run, Lola, Run, and others. Worthy of special note, Ryan and Lenos provide accessible and productive tools for teachers, including student assignment instructions for specific clips from different films that invite students to develop and demonstrate their analytical skills. Through their many examples, the authors empower students to articulate not only how they react to a movie but also why, drawing clear lines between the cinematic vocabulary they are building with the work of meaning making." --Karen Petruska, Assistant Professor in Communication Studies, Gonzaga University, USA