With classic butch finesse---that handsome combination of vulnerability and toughness---Peggy Shaw pieces together the challenges of growing up butch in the 1950s. Shaw is an engaging performer and inspired writer.
---Gay Community News
Obie-award-winning performer and writer Peggy Shaw has been playing her gender-bending performances on Off Broadway, regional, and international stages for three decades. Co-founder of the renowned troupe Split Britches, Shaw has gone on to create memorable solo performances that mix achingly honest introspection with campy humor, reflecting on everything from her Irish-American working-class roots to her aging butch body.
This collection of Shaw's solo performance scripts evokes a 54-year-old grandmother who looks like a 35-year-old man (in her classic Menopausal Gentleman); a mother's ambivalent ministrations to a daughter she treated like a son (in the raw You're Just Like My Father); Shaw's love for her biracial grandson, for whom she models masculinity (in the musically punctuated To My Chagrin); and a mapping of her body's long, bittersweet history (in the lyrical Must: The Inside Story, a collaboration with the UK's Clod Ensemble). The book also includes a selection of Shaw's other classic monologues and an extensive introduction by Jill Dolan, Professor of English and Theater and Dance at Princeton University and the blogger behind The Feminist Spectator website.
A volume in the series Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance
Cover photos by Eva Weiss (top) and Robin Holland/robinholland.com (bottom).
About the Author
Jill Dolan is the Annan Professor of English, Professor of Theater, and the Dean of the College at Princeton University. Among other books, she is the author of The Feminist Spectator as Critic, Utopia in Performance, and The Feminist Spectator in Action. Her blog, The Feminist Spectator, won the George Jean Nathan Award for Dramatic Criticism. She has received numerous teaching awards and the Distinguished Scholar Award from the American Society for Theatre Research. She was inducted into the American Academy of Arts and Sciences in 2016.