A History of Art History


Product Details

$35.00  $32.20
Princeton University Press
Publish Date
6.5 X 9.4 X 1.6 inches | 2.2 pounds

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About the Author

Christopher S. Wood is a professor at New York University. He is the author of Forgery, Replica, Fiction: Temporalities of German Renaissance Art and Albrecht Altdorfer and the Origins of Landscape, the coauthor of Anachronic Renaissance, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s.


"A tour de force. I can't think of another book that even comes close to this one in the way it encourages art historians to understand their own disciplinary history."--Michael Ann Holly, author of The Melancholy Art
"In this exemplary and engaging book, Christopher Wood offers a bird's-eye perspective on the history of art history that few scholars could match."--Whitney Davis, author of Visuality and Virtuality
"Wood's history is one of only a handful of book-length attempts to offer a synthetic treatment of the history of art history ... Owing to its extraordinary range and original insights, it is destined to become the standard work for many years to come."---Sam Rose, Apollo Magazine
"[T]his substantial volume is more than just a chronicle of half-forgotten scholarship or a thrashing out of methodological issues of little import. In fact, A History of Art History will be eye-opening for anyone who cares about art."---Barry Schwabsky, Hyperallergic
"Shortlisted for the Apollo Awards Book of the Year, Apollo Magazine"
"Wood's account of what art historians do - and how they have done it over the centuries - is a typically learned and polemical work that challenges the reader with its many approaches and arguments."--Apollo Magazine
"Well informed and extremely personal, this is a brilliant overview of writings on art, from responses to the recovery of art representing ancient gods c. 800 CE through to the anti-formalist revolution of the present day. The amount of carefully considered information packed into this compact volume is breathtaking. Wood (NYU) takes on not only professional writers on art but also practitioners such as Piranesi and William Blake--whose emotional critiques of the past made them, in effect, historians of art. Writing in a rather leisurely narrative style, Wood places selected authors within a precise historical moment. Original perceptions are scattered like bonbons--for example, an analysis of Aby Warburg and Alois Riegl locates them as very different but very much related classifiers of the image within late 19th and early 20th century devotion to formalism. There is a fascinating chapter on the foundation of the Louvre in the context of the French Revolution. . . . The book stands as a much-needed contribution at a time when the discipline badly needs an appreciative, even-handed view of the past."---D. Pincus, Choice

[T]he research compiled here does not stumbled into abstractions that the topic invites, but really delivers an accurate
history of the changes in this culture-defining field . . . this book is really needed.

"---Anna Faktorovich, Pennsylvania Literary Review
"Wood's intimacy with the material is self-evident. He offers any number of remarkably lucid exegeses of complex and easily misunderstood concepts (Riegl's Kunstwollen) and texts (Hegel's Lectures on Aesthetics), and brings in numerous lesser-known thinkers."---Rachel Wetzler, Art in America